Sound post-production job roles: Foley artist, ADR editor, music editor, sound editor… Sound assistants, trainees or runners (general helpers) provide an extra pair of hands on any task that is delegated to them.Production sound mixers monitor the quality of sound being recorded and let the director know if another take is required.Sound technicians conceal microphones among props and items of the cast’s clothing.Boom operators capture sound by holding and manoeuvring the boom (an adjustable arm to which you can attach a microphone) while keeping it (and its shadow) out of shot.Sound production job roles: boom operator, sound technician, production sound mixer…ĭuring filming, production sound team members work as follows. Depending on the film, this may happen before filming starts, or not until post-production. They’ll meet with the director and producer to discuss the style of production and hence what type of sound is appropriate, then oversee the process of making this happen. Taking an overview – the sound designer or sound editorĪ senior member of the sound team will take an overview of the sound required for a film – they might be referred to as a sound designer, sound editor, sound effects editor or supervising sound editor. The roles vary from film to film, depending on its size and budget – sometimes there will be a different team member for each of the roles below other times one or two people will take on many roles. Sound team roles divide into production sound (recording live during filming) and post-production sound (adding, mixing or recreating sound or dialogue in the studio afterwards).
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